Biography

Wayne: Guitar & Vocals

Wayne: guitar and lead vocals.Wayne has played guitar all his life and loves 60s music. He has an LP collection that would require a semi-trailer to move (almost!) and has played in many Tasmanian bands including the long-running and successful Magnificent Seven, The Breed Mk1 and The Fabs.

Wayne’s energy on stage, and rhythm-lead playing style, enables him to carry off a full sound, even in solos. His vocal style is in keeping with the 60s influences, but carries a modern flavour equally as well.

Wayne is the main song-writer. He plans to add many more originals in the foreseeable future.

Steve J: Bass & Vocals

Steve J: bass and vocals.Steve J is a punk Peter Pan, refusing to grow up, worshiping both the Sex Pistols and Green Day, but loving all melodic, fast and loud rock from all eras. He brings a spirit of fun and adventure to the music with simple, solid bass lines and strong vocal harmonies.

Steve J has an online solo career on the side as B&Massa (pronounced BAND-mass-uh), creating diverse styles and sounds from electro, through reggae to punk and progressive rock, delivering two bottom selling albums in the last two years. :-) He also contributes originals, including a punk arrangement of Tchaichovsky’s Dance of the Sugar Plum Fairy in the pipeline, too. (Is he trying to be John Entwhistle or Keith Moon?!)

The Breed is Steve’s favourite band, both musically and for its members. He is responsible for bringing The Breed’s videos to DVD.

Steve B: Drums & Vocals

Steve B: drums and vocals.A tonal artist, music teacher and Beatles fanatic, Steve B is almost melodic in his approach to drums. His style is diverse, one minute tapping a delicate counterpoint to a sixties classic, the next rolling a thunderous brit-pop explosion.

Steve’s harmonies are rich and high, bringing a depth and texture even keyboards struggle to match.

When not bashing the skins in dimly lit rooms, Steve B is teaching the next generation’s rhythm section how to do it right. He also paints, and was a finalist in the 1998 Archibald Prize.